MusiqueCeltiqueV1, Main, Exploration, bibRecord, 000872

Towards a Sociology of Art Collections

Identifieur interne : 000872 ( Main/Exploration ); précédent : 000871; suivant : 000873

Towards a Sociology of Art Collections

Auteurs : Marta Herrero [Irlande (pays)]

Source :

International sociology [ 0268-5809 ] ; 2002-03.

RBID : ISTEX:A6849F1A355D30E21BA2FA3B98FF27A567D4DD09

Descripteurs français

Wicri :
- geographic : Irlande (pays).
- topic : étude de cas, Arts visuels.

English descriptors

KwdEn :
- Aesthetic judgements, Authentic expression, Bauman, British colony, Cambridge university press, Camille pissarro, Case study, Celtic revival, Claidheamh, Claidheamh solais, Claude monet, Complex situation, Cultural nationalism, Distinctive irish modernity, Douard manet, Douglas hyde, Dublin, Edgar degas, Edward martyn, French impressionism, French works, Gaelic league, George moore, George russell, Good taste, Herrero, Hugh lane, Impressionism, Impressionist, Impressionist paintings, Impressionist pictures, Intellectual debate, Intellectual practice, Intellectual practices, International sociology, Ireland, Irish, Irish intellectuals, Irish ireland, Irish nation, Irish painters, Irish party, Irish revival, Irish school, Irish studies, Irish times, Irish works, January, Lady gregory, Leicester university press, Literary culture, Luxembourg gallery, Modern irish, Modern painting, Modernity, Municipal gallery, National gallery, Newspaper industry, Oxford university press, Particular worldview, Political allegiances, Polity press, Public collections, Public intellectuals, Purchase fund, Royal hibernian academy, Social order, Sociological approach, Solais, Trinity college, Visual arts, William murphy, Worldview.
Teeft :
- Aesthetic judgements, Authentic expression, Bauman, British colony, Cambridge university press, Camille pissarro, Case study, Celtic revival, Claidheamh, Claidheamh solais, Claude monet, Complex situation, Cultural nationalism, Distinctive irish modernity, Douard manet, Douglas hyde, Dublin, Edgar degas, Edward martyn, French impressionism, French works, Gaelic league, George moore, George russell, Good taste, Herrero, Hugh lane, Impressionism, Impressionist, Impressionist paintings, Impressionist pictures, Intellectual debate, Intellectual practice, Intellectual practices, International sociology, Ireland, Irish, Irish intellectuals, Irish ireland, Irish nation, Irish painters, Irish party, Irish revival, Irish school, Irish studies, Irish times, Irish works, January, Lady gregory, Leicester university press, Literary culture, Luxembourg gallery, Modern irish, Modern painting, Modernity, Municipal gallery, National gallery, Newspaper industry, Oxford university press, Particular worldview, Political allegiances, Polity press, Public collections, Public intellectuals, Purchase fund, Royal hibernian academy, Social order, Sociological approach, Solais, Trinity college, Visual arts, William murphy, Worldview.

Abstract

This article draws on Zygmunt Bauman's concept `legislator' - the intellectual practice of modernity - to explore the relationship between Irish intellectuals and modernity. The case study selected for this purpose is the intellectual debate that took place around the making of Dublin's first modern art collection, which led to the opening of the Municipal Gallery of Modern Art in 1908. Its premise is that art collections are the outcome of intellectual practices, which legitimate and define their role. Overall, this example is used to investigate the complex ways in which Irish intellectuals sought to renegotiate Ireland's relation to modernity, a discourse that positioned it as a `peripheral' country. The article concludes by saying that the making of a modern art collection was used as a means to renegotiate a more constructive view of Ireland, and suggests `modernities' as a term that captures the various intellectual practices of modernity.

Url:

https://api.istex.fr/document/A6849F1A355D30E21BA2FA3B98FF27A567D4DD09/fulltext/pdf

DOI: 10.1177/0268580902017001003

Affiliations:

Irlande (pays)

Links toward previous steps (curation, corpus...)

to stream Istex, to step Corpus: 000161
to stream Istex, to step Curation: 000161
to stream Istex, to step Checkpoint: 000662
to stream Main, to step Merge: 000872
to stream Main, to step Curation: 000872

Le document en format XML

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<term>Camille pissarro</term>
<term>Case study</term>
<term>Celtic revival</term>
<term>Claidheamh</term>
<term>Claidheamh solais</term>
<term>Claude monet</term>
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<term>Irish nation</term>
<term>Irish painters</term>
<term>Irish party</term>
<term>Irish revival</term>
<term>Irish school</term>
<term>Irish studies</term>
<term>Irish times</term>
<term>Irish works</term>
<term>January</term>
<term>Lady gregory</term>
<term>Leicester university press</term>
<term>Literary culture</term>
<term>Luxembourg gallery</term>
<term>Modern irish</term>
<term>Modern painting</term>
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<term>Municipal gallery</term>
<term>National gallery</term>
<term>Newspaper industry</term>
<term>Oxford university press</term>
<term>Particular worldview</term>
<term>Political allegiances</term>
<term>Polity press</term>
<term>Public collections</term>
<term>Public intellectuals</term>
<term>Purchase fund</term>
<term>Royal hibernian academy</term>
<term>Social order</term>
<term>Sociological approach</term>
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<term>Visual arts</term>
<term>William murphy</term>
<term>Worldview</term>
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<term>Camille pissarro</term>
<term>Case study</term>
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<term>Claidheamh solais</term>
<term>Claude monet</term>
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<term>Cultural nationalism</term>
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<term>Edgar degas</term>
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<term>French impressionism</term>
<term>French works</term>
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<term>George russell</term>
<term>Good taste</term>
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<term>Impressionism</term>
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<term>Impressionist paintings</term>
<term>Impressionist pictures</term>
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<term>Intellectual practice</term>
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<term>Irish intellectuals</term>
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<term>Irish nation</term>
<term>Irish painters</term>
<term>Irish party</term>
<term>Irish revival</term>
<term>Irish school</term>
<term>Irish studies</term>
<term>Irish times</term>
<term>Irish works</term>
<term>January</term>
<term>Lady gregory</term>
<term>Leicester university press</term>
<term>Literary culture</term>
<term>Luxembourg gallery</term>
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<term>Modern painting</term>
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<term>Oxford university press</term>
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<term>Polity press</term>
<term>Public collections</term>
<term>Public intellectuals</term>
<term>Purchase fund</term>
<term>Royal hibernian academy</term>
<term>Social order</term>
<term>Sociological approach</term>
<term>Solais</term>
<term>Trinity college</term>
<term>Visual arts</term>
<term>William murphy</term>
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<front><div type="abstract" xml:lang="en">This article draws on Zygmunt Bauman's concept `legislator' - the intellectual practice of modernity - to explore the relationship between Irish intellectuals and modernity. The case study selected for this purpose is the intellectual debate that took place around the making of Dublin's first modern art collection, which led to the opening of the Municipal Gallery of Modern Art in 1908. Its premise is that art collections are the outcome of intellectual practices, which legitimate and define their role. Overall, this example is used to investigate the complex ways in which Irish intellectuals sought to renegotiate Ireland's relation to modernity, a discourse that positioned it as a `peripheral' country. The article concludes by saying that the making of a modern art collection was used as a means to renegotiate a more constructive view of Ireland, and suggests `modernities' as a term that captures the various intellectual practices of modernity.</div>
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Towards a Sociology of Art Collections

Towards a Sociology of Art Collections

Source :

Descripteurs français

English descriptors

Abstract

Links toward previous steps (curation, corpus...)

Le document en format XML

Pour manipuler ce document sous Unix (Dilib)

Pour mettre un lien sur cette page dans le réseau Wicri